Matias Aguayo and Mujaji the Rain are masters of a pulsating rhythmic shower on their new record, Rain.
The 1980s was a great time for African electronic music, with many subgenres like the Lagos Bougie sound, Burger Highlife, Makossa, Arab Funk (Habibi Funk) and Bubblegum Pop blooming from the fertile sound of the synthesizer and other electronic instruments coming mainly from Europe. Influenced partly by the global funk sound, African artists from Cairo... Continue Reading →
For Jowaa, this release promises to be the start of a boosted broadcast project where the pair aim to beam their sound as far as possible. It stands out in the current scope of Ghanaian alternative music as it pays homage to a long traditional of Accra based electronic music as well as engineering dance blueprints that are relevant to today’s times. Asorkpor 1.0 is beautiful for its sonic precision yet alive because of the narrative hardwired into the sound.
For Katapila, this EP represent and exploration of the freedom and luxury afford him by succes yet it fails to make any resounding statement that sticks with you. However, you're still mesmerised into blissful dance, in typical Katapila fashion, with hard hitting bases and kinetic chords, straight from the streets of Accra.
Paradiso tells the story of the black body through electronic music, presenting a candid and tangible dimension that can only be experience through this haphazard mess of sounds, tightly knit by the breadcrumbs of relatable noise, layered at various points on the projects.
Contemporary South Africa music tends to be driven by electronic music, especially post apartheid music like Kwaito. Musicians in the 80s, attracted to the warbly yet syrupy sounds from cryptic synthesizers, organs and guitars helped lay the foundations for the deep house and Kwaito craze that dominates current South african music. Bubblegum pop and... Continue Reading →
African Electronic Music is one of the most criminally underrated genres of all time. Usually, major labels and music media tend to group all music from the continent under one vague and lazy category: World Music. This tag undermines the genius work of artist who have toiled to innovate new and distinct sounds, mirroring their... Continue Reading →
It is hard to find a soundtrack that would illuminate the intricacies of the city of Accra due to its volatile and mercurial nature. At some tangents, the city is a cool breezy, slowly gracing the hairs of your skin. At other blurry and serendipitous moments, it is an electric shock zipping through your being.... Continue Reading →
Music, of any form and kind, from distorted, aggressive stabs at electric guitars to the high-pitched ballads that beads on a string sing, no matter how meek or aggressive must submit to some form of classification. A group name to water down its oddity and mask its fragrance with something more familiar and relatable. The... Continue Reading →