**Editors note: This month we have a special featured mix for International Women's Day 2019 by moshood. one of our fave guest writers.** struggle is arguably prime among the innumerable uses for music; and, because a people in struggle do not cease being human, music, in that very realm, is also for sheer listening... Continue Reading →
It is hard to argue against the fact that Salif Keita’s voice is one of the most recognizable African voices in recent history. The Malian vocal juggernaut has been an ever-present force of bliss in the constantly evolving afropop scene since the 1970s, creating eccentric blues melodies that continue to swirl through airways around the... Continue Reading →
The synthesizer will always be one of the most important inventions of all time, opening up creators to limitless opportunities that radically altered the course of music production. African artists brought their own maverick genius to manipulating electric current to produce sound, creating some of the most spellbinding rhythms ever! African Electronic Funk is a... Continue Reading →
South Africa’s darlings on indie-pop, Beatenberg, are back after 4 years with glistening and serenading grooves from Cape Town. The South African trio, made up of guitarist Matthew Field, Robin Brink on percussion and Ross Dorkin on bass, follow up the highly successful major label debut, The Hanging Gardens of Beatenberg (2014) which exposed the world... Continue Reading →
The 16th edition of globalFEST is scheduled to take place on January 6th 2019 at the historic Copacabana in Times Square, New York. This global celebration of music and arts seeking to highlight contemporary traditions and budding innovation in the world of music is great way to kick off the new year. With four stages... Continue Reading →
What Mali Blues achieves as a film is a vivid exposition of the musical landscape of Mali. By following each of the four subjects, the film, brings you the past and the present sounds in all its rich diversity.
The 1980s was a great time for African electronic music, with many subgenres like the Lagos Bougie sound, Burger Highlife, Makossa, Arab Funk (Habibi Funk) and Bubblegum Pop blooming from the fertile sound of the synthesizer and other electronic instruments coming mainly from Europe. Influenced partly by the global funk sound, African artists from Cairo... Continue Reading →
From the sparkly album art to the loose yet compact sequencing of fragments of his life in the track listing, Odunsi has successfully managed to create a courageous body of work that is enriching at its coldest and blissful at its warmest. Some moments in music are so rare and candid that they are instantly unforgettable. With the right chemistry of honest naked emotions and measured portions of the bliss of nostalgia and the racy excitement of uncertainty, few artists are able to hypnotize listeners. On “rare.” Odunsi The Engine does just that.
For Jowaa, this release promises to be the start of a boosted broadcast project where the pair aim to beam their sound as far as possible. It stands out in the current scope of Ghanaian alternative music as it pays homage to a long traditional of Accra based electronic music as well as engineering dance blueprints that are relevant to today’s times. Asorkpor 1.0 is beautiful for its sonic precision yet alive because of the narrative hardwired into the sound.