Beyond nostalgia, Africa Film Society is brewing a vibrant community of film enthusiasts at an intriguing period in African cinematic history
For Kae Sun, this record is an expansion of his empathetic outlook on the conditions of a black man through music. It’s a very causal yet highly reflective look at his own experiences within a collective condition of struggle and oppression, joy and love. On Whoever Comes Knocking, with his identity as the center, Kae Sun invites clarity to his perspective by stirring up his sonic influences.
Ethio-jazz legend, Hailu Mergia is making a resounding statement on his first studio album in 15 years, “Lala Belu”.
Nigerian singer and songwriter Maleek Berry has started 2018 with his best foot forward by following up his success from the past year with an anticipated sequel to his debut project, "Last Daze of Summer" EP. First Daze of Winter, released early in January 2018 is a temperate project relaying fragile emotions, on the back... Continue Reading →
Paradiso tells the story of the black body through electronic music, presenting a candid and tangible dimension that can only be experience through this haphazard mess of sounds, tightly knit by the breadcrumbs of relatable noise, layered at various points on the projects.
MAKANDA at The End of Space, the Beginning of Time is an 11 track sonic odyssey fabricated with cosmic sounds forged from a special brew of traditional Congolese rumba to modern funk and jazz and soul that mesmerizes you with bliss from the first clap to the last spin of the record
With few bumps along the groove, Rose Gold is an easily enjoyable record by a young artist with so much promise. Wrapping up in just 41 minutes, the album quickly warms up to you by being honest and relatable whilst sculpting a welcoming soundscape littered with a well-blended variety of moody and cheerful sounds.
The film released early in 2017, uses the Sankofa motif, to stitch a ripple in time and transports you to the 1960’s, when the movement was at its peak in post-colonial Ghana.
Zara McFarlane is charting a star system of African diasporan heritage, painted with the lush rousing strokes of jazz and soul melodies, dipped in rich history and fragmented memories on her third studio album, Arise. The British-Jamaican soul singer sets about linking the various nexuses of her identity by floating between individual and shared experiences... Continue Reading →