Album Review: Gafacci Engineers Lofi & Asorkpor Portal on “Tash BNM”

As a body of work Tash BNM is a totem of Gafacci’s dexterity as a producer and his ear for magnificent sound. However, it’s crowning glory comes from its refreshingly textured approach to a lush yet familiar sonic atmosphere. For the 17-minutes in which you engage the project, you are in a world unlike any other you have ever been in. The music is a trip that transports you to syrupy fields of radiant joy by alloying similar yet unassociated sonic elements. Whilst Gafacci makes sure to tip his hat towards the foundation of his signature Asorkpor aesthetic, he makes sure to ensure its growth by introducing this new layer into the zeitgeist, an interrogation of what low fidelity sound is.

Album Review: Blick Bassy Spins History into Sonic Gold on “1958”

1958 is not a project I would miss if you are interested in contemporary African music. Blick Bassy presents a heavy magnifying glass that appears weightless at the first glance, however it does offer a terrific exposition of his master of music which indeed is all a backdrop for his sombering reflections on the history and condition of his home.

Album Review: Tresor Reminds Us Of The Refreshing Sound of Nostalgia

Tresor’s Nostalgia is definitely up there with some of the very well written and composed bodies of music reviewed on this website. The project is a testament to the diversity of the contemporary African sound as it offers an alternative joy to the pulsating and algorithmic “afrobeat” sound. Much like Pierre Kwenders, Chino Amobi and Beatenberg, Tresor via Nostalgia expands the scope of what our lives as Africans can sound like. Indeed, this is made possible by grounding the album in the music of his childhood drawing of the intrinsic rhythms and melodies that are enveloped in his memories of the past, made fresh by the voice of the present.

Film Review: Genevieve Nnaji’s Lionheart Delivers Nollywood Class Act

Lionheart all in all is a good film- I would not stop anyone from seeing it. It does, however, suffer from a leaning towards the safe which ultimately leaves the film somewhat flat, with the characters underdeveloped. The humor sprinkled throughout the film keeps it light and interesting, and the acting is certainly believable. It is the kind of film one would watch with family on a lazy Sunday afternoon, reveling in its quietness.

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