Wiyaala’s eponymous debut album was a gust of fresh air that shook up the age old echo chambers in Ghanaian mainstream music. Till this day, I still get goose bumps anytime I remember her album release concert in 2014 at Alliance Francaise Accra, which was an onslaught of magical bliss disguised as music from a... Continue Reading →
Overall Sabolai Radio 2019 was a much need gust of fresh air in the scene that latches onto sameness in sound. With a diverse and engage set of artist, Accra dot alt was able to remind us of the psychedelic spectrum of sonic energy that float through this country.
Yen Ara represent one of the final iterations on a quest to perfection. By dedicating his life to the music, Ebo Taylor has worked religiously to achieve what could be a near perfect sound. Not only does he achieve this on this album but he also pays homage to Fanti culture and how the communal use of music to lubricate daily chores is the main ingredient in is sonic composition.
For Kae Sun, this record is an expansion of his empathetic outlook on the conditions of a black man through music. It’s a very causal yet highly reflective look at his own experiences within a collective condition of struggle and oppression, joy and love. On Whoever Comes Knocking, with his identity as the center, Kae Sun invites clarity to his perspective by stirring up his sonic influences.
With his sophomore tape, Kyekyeku has created a wholesome sound referencing his influences yet asserting his personality at the same time. You get the nostalgic appeal of golden-age highlife alloyed with the refreshing flavor of the present transporting you to Ghana music paradise!
Going through Anbuley’s Soundcloud page is like stroll though an Afrofuturist garden, where cosmic rhythm an melody are in bloom. The singer's raspy and rousing vocals lend her a unique layer to the polarizing music she producers. You would not find anyone, anywhere sounding like her