Wiyaala’s eponymous debut album was a gust of fresh air that shook up the age old echo chambers in Ghanaian mainstream music. Till this day, I still get goose bumps anytime I remember her album release concert in 2014 at Alliance Francaise Accra, which was an onslaught of magical bliss disguised as music from a... Continue Reading →
Overall Sabolai Radio 2019 was a much need gust of fresh air in the scene that latches onto sameness in sound. With a diverse and engage set of artist, Accra dot alt was able to remind us of the psychedelic spectrum of sonic energy that float through this country.
Kwaw Ansah's seminal film, Heritage Africa, is three decades old this year. eight years before the making of Heritage Africa, in 1980, the ghanaian filmmaker had released what turned out to be a landmark production in postcolonial african cinema - his debut feature film, Love Brewed in an African Pot. Love Brewed… is a story... Continue Reading →
The film, released in September 2018, follows two young men as they attempt to survive the relentless tirade of trauma that can be Accra, Ghana’s capital and in the process, provide a polarized lens to examine millennial lifestyle and culture through honest and direct depiction of varied lived experiences.
For Jowaa, this release promises to be the start of a boosted broadcast project where the pair aim to beam their sound as far as possible. It stands out in the current scope of Ghanaian alternative music as it pays homage to a long traditional of Accra based electronic music as well as engineering dance blueprints that are relevant to today’s times. Asorkpor 1.0 is beautiful for its sonic precision yet alive because of the narrative hardwired into the sound.
Yen Ara represent one of the final iterations on a quest to perfection. By dedicating his life to the music, Ebo Taylor has worked religiously to achieve what could be a near perfect sound. Not only does he achieve this on this album but he also pays homage to Fanti culture and how the communal use of music to lubricate daily chores is the main ingredient in is sonic composition.
For Kae Sun, this record is an expansion of his empathetic outlook on the conditions of a black man through music. It’s a very causal yet highly reflective look at his own experiences within a collective condition of struggle and oppression, joy and love. On Whoever Comes Knocking, with his identity as the center, Kae Sun invites clarity to his perspective by stirring up his sonic influences.
For Katapila, this EP represent and exploration of the freedom and luxury afford him by succes yet it fails to make any resounding statement that sticks with you. However, you're still mesmerised into blissful dance, in typical Katapila fashion, with hard hitting bases and kinetic chords, straight from the streets of Accra.
Dandano is a self sustaining community project aimed at analyzing, documenting and archiving African film and music. For most of our young existence, a very tiny team has been responsible for the content we put out. However, we are at a point where growth is necessary and as such we're inviting writers and photographers to... Continue Reading →