Kiki Gyan was undoubtedly one of Ghana’s finest artistic talent of all time with a metaphysical understanding of sound, harmony and composition that deified him in the 1970s and took him around the world by the age of 18. His music, as a solo musician, writer/composer, arranger and session music and also as part of superstar afro-fusion band Osibisa will forever be the soundtrack to a lot of honeyed moments for most ghanaian families as well as the fans from all over the world who had the chance to see him entrance audiences with their mesmerizing spiritual funk and disco hits.
As a body of work Tash BNM is a totem of Gafacci’s dexterity as a producer and his ear for magnificent sound. However, it’s crowning glory comes from its refreshingly textured approach to a lush yet familiar sonic atmosphere. For the 17-minutes in which you engage the project, you are in a world unlike any other you have ever been in. The music is a trip that transports you to syrupy fields of radiant joy by alloying similar yet unassociated sonic elements. Whilst Gafacci makes sure to tip his hat towards the foundation of his signature Asorkpor aesthetic, he makes sure to ensure its growth by introducing this new layer into the zeitgeist, an interrogation of what low fidelity sound is.
Daniel Anum Jasper has been making street art in Accra, Ghana since 1986. He is well known for his signature … More
R2Bees pay homage to the sonic legacy that allow them to be daring enough to define their sounds, yet simultaneously lift up the new-age grooves they help shape, like on Boys’ Kasa. Despite being mildly wayward theme-wise, you still get to the soul of the Tema Boys’ sound which seems to be soulful and gritty and everything in between.
Wiyaala’s eponymous debut album was a gust of fresh air that shook up the age old echo chambers in Ghanaian … More
Overall Sabolai Radio 2019 was a much need gust of fresh air in the scene that latches onto sameness in sound. With a diverse and engage set of artist, Accra dot alt was able to remind us of the psychedelic spectrum of sonic energy that float through this country.
Kwaw Ansah’s seminal film, Heritage Africa, is three decades old this year. eight years before the making of Heritage Africa, … More
The film, released in September 2018, follows two young men as they attempt to survive the relentless tirade of trauma that can be Accra, Ghana’s capital and in the process, provide a polarized lens to examine millennial lifestyle and culture through honest and direct depiction of varied lived experiences.
For Jowaa, this release promises to be the start of a boosted broadcast project where the pair aim to beam their sound as far as possible. It stands out in the current scope of Ghanaian alternative music as it pays homage to a long traditional of Accra based electronic music as well as engineering dance blueprints that are relevant to today’s times. Asorkpor 1.0 is beautiful for its sonic precision yet alive because of the narrative hardwired into the sound.
Yen Ara represent one of the final iterations on a quest to perfection. By dedicating his life to the music, Ebo Taylor has worked religiously to achieve what could be a near perfect sound. Not only does he achieve this on this album but he also pays homage to Fanti culture and how the communal use of music to lubricate daily chores is the main ingredient in is sonic composition.