Martial Pa'nucci is a hip-hop artist from the Republic of Congo currently living in exile in Burkina Faso following various threats to his life as a result of his activism through music against the dictatorship in his home. Whilst in Accra for a workshop engagement, we managed to spend some time with him to learn a bit more about himself, his work and his general outlook on the lives of artists in Congo. Speaking to Martial was an education and reminder of the risks various artist across the world have to take to be expressive.
As the African contemporary sound continues to grow and change, it is also important to be reminded of the brilliance that brought us to where we are, and celebrate that excellence. Albums like History are bespoke for this purposes, filling you will the satisfaction of nostalgia yet guiding you into the future.
Tresor’s Nostalgia is definitely up there with some of the very well written and composed bodies of music reviewed on this website. The project is a testament to the diversity of the contemporary African sound as it offers an alternative joy to the pulsating and algorithmic “afrobeat” sound. Much like Pierre Kwenders, Chino Amobi and Beatenberg, Tresor via Nostalgia expands the scope of what our lives as Africans can sound like. Indeed, this is made possible by grounding the album in the music of his childhood drawing of the intrinsic rhythms and melodies that are enveloped in his memories of the past, made fresh by the voice of the present.
R2Bees pay homage to the sonic legacy that allow them to be daring enough to define their sounds, yet simultaneously lift up the new-age grooves they help shape, like on Boys’ Kasa. Despite being mildly wayward theme-wise, you still get to the soul of the Tema Boys’ sound which seems to be soulful and gritty and everything in between.
**Editors note: This month we have a special featured mix for International Women's Day 2019 by moshood. one of our fave guest writers.** struggle is arguably prime among the innumerable uses for music; and, because a people in struggle do not cease being human, music, in that very realm, is also for sheer listening... Continue Reading →
It is hard to argue against the fact that Salif Keita’s voice is one of the most recognizable African voices in recent history. The Malian vocal juggernaut has been an ever-present force of bliss in the constantly evolving afropop scene since the 1970s, creating eccentric blues melodies that continue to swirl through airways around the... Continue Reading →
Wiyaala’s eponymous debut album was a gust of fresh air that shook up the age old echo chambers in Ghanaian mainstream music. Till this day, I still get goose bumps anytime I remember her album release concert in 2014 at Alliance Francaise Accra, which was an onslaught of magical bliss disguised as music from a... Continue Reading →
The synthesizer will always be one of the most important inventions of all time, opening up creators to limitless opportunities that radically altered the course of music production. African artists brought their own maverick genius to manipulating electric current to produce sound, creating some of the most spellbinding rhythms ever! African Electronic Funk is a... Continue Reading →