South Africa’s darlings on indie-pop, Beatenberg, are back after 4 years with glistening and serenading grooves from Cape Town. The South African trio, made up of guitarist Matthew Field, Robin Brink on percussion and Ross Dorkin on bass, follow up the highly successful major label debut, The Hanging Gardens of Beatenberg (2014) which exposed the world... Continue Reading →
Matias Aguayo and Mujaji the Rain are masters of a pulsating rhythmic shower on their new record, Rain.
The 16th edition of globalFEST is scheduled to take place on January 6th 2019 at the historic Copacabana in Times Square, New York. This global celebration of music and arts seeking to highlight contemporary traditions and budding innovation in the world of music is great way to kick off the new year. With four stages... Continue Reading →
What Mali Blues achieves as a film is a vivid exposition of the musical landscape of Mali. By following each of the four subjects, the film, brings you the past and the present sounds in all its rich diversity.
On Amil Shivji’s documentary film, Wahenga, we are privy to a series of conversations between old musician, their memories of the past and their quest to revive a fading musical tradition by becoming the ancestors.
The 1980s was a great time for African electronic music, with many subgenres like the Lagos Bougie sound, Burger Highlife, Makossa, Arab Funk (Habibi Funk) and Bubblegum Pop blooming from the fertile sound of the synthesizer and other electronic instruments coming mainly from Europe. Influenced partly by the global funk sound, African artists from Cairo... Continue Reading →
From the sparkly album art to the loose yet compact sequencing of fragments of his life in the track listing, Odunsi has successfully managed to create a courageous body of work that is enriching at its coldest and blissful at its warmest. Some moments in music are so rare and candid that they are instantly unforgettable. With the right chemistry of honest naked emotions and measured portions of the bliss of nostalgia and the racy excitement of uncertainty, few artists are able to hypnotize listeners. On “rare.” Odunsi The Engine does just that.
For Jowaa, this release promises to be the start of a boosted broadcast project where the pair aim to beam their sound as far as possible. It stands out in the current scope of Ghanaian alternative music as it pays homage to a long traditional of Accra based electronic music as well as engineering dance blueprints that are relevant to today’s times. Asorkpor 1.0 is beautiful for its sonic precision yet alive because of the narrative hardwired into the sound.
Yen Ara represent one of the final iterations on a quest to perfection. By dedicating his life to the music, Ebo Taylor has worked religiously to achieve what could be a near perfect sound. Not only does he achieve this on this album but he also pays homage to Fanti culture and how the communal use of music to lubricate daily chores is the main ingredient in is sonic composition.