The film, released in September 2018, follows two young men as they attempt to survive the relentless tirade of trauma that can be Accra, Ghana’s capital and in the process, provide a polarized lens to examine millennial lifestyle and culture through honest and direct depiction of varied lived experiences.
'Tanzania Transit' may be one of my favorite films of 2018. Aside from the bonus of this documentary gifting me my first onscreen feel of Tanzania, it’s a train movie somewhat in the mold of South Korean director Bong Joon-ho’s 'Snowpiercer'. Of course, 'Tanzania Transit' is not a dystopian quasi-satirical thriller like Joon-ho’s film but they share... Continue Reading →
For Jowaa, this release promises to be the start of a boosted broadcast project where the pair aim to beam their sound as far as possible. It stands out in the current scope of Ghanaian alternative music as it pays homage to a long traditional of Accra based electronic music as well as engineering dance blueprints that are relevant to today’s times. Asorkpor 1.0 is beautiful for its sonic precision yet alive because of the narrative hardwired into the sound.
The giant fell. Today’s viewers of the 2016 South African documentary The Giant is Falling will be aware of this. Jacob Zuma resigned as South Africa’s President in February 2018 after unrelenting pressure from various citizen and political movements. However, with the benefit of hindsight/foresight, ‘The Giant is Falling’ plays like a cautionary tale warning that the giant only fell. It wasn’t slain.
With The Poets, you do not necessarily have to be a fan of African literature or intimately know the lines of the poets to hitch a ride on the freewheeling sequence of bliss and wisdom that is this film. By teaching us to appreciate the friendship that the pair have cultivated, the film helps us to understand and respect their sacred roles as poets. We are then able to listen to their wisdom and keep questioning life.
Beyond nostalgia, Africa Film Society is brewing a vibrant community of film enthusiasts at an intriguing period in African cinematic history
Yen Ara represent one of the final iterations on a quest to perfection. By dedicating his life to the music, Ebo Taylor has worked religiously to achieve what could be a near perfect sound. Not only does he achieve this on this album but he also pays homage to Fanti culture and how the communal use of music to lubricate daily chores is the main ingredient in is sonic composition.
For Kae Sun, this record is an expansion of his empathetic outlook on the conditions of a black man through music. It’s a very causal yet highly reflective look at his own experiences within a collective condition of struggle and oppression, joy and love. On Whoever Comes Knocking, with his identity as the center, Kae Sun invites clarity to his perspective by stirring up his sonic influences.