Beyond nostalgia, Africa Film Society is brewing a vibrant community of film enthusiasts at an intriguing period in African cinematic history
Burkinabé Rising is definitely worth the viewing as it might be the broadest showcase of Burkina Faso’s arts and culture catalogue in one sitting. Iara Lee manages to pack the political history and social condition of the people into the film whilst defining the characteristic of the art fuelled culture of resistance in the state.
Whether you’re completing the edits on your debut short film or looking for a new audience for your student documentary, the following African film festivals are good places you should consider sending your work too.
Captivated by the kung-fu masters in the movies, a young Gabonese sets off for China to learn the sacred art. Years later, in 1985, he becomes the Shaolin Temple’s very first Black master.
The 2017 documentary, This Land, directed by Miki Redelinghuys narrows in on the people of Makhasaneni in KwaZulu-Natal and their struggle to overcome governmental neglect, a corrupt traditional hierarchy and the threat of corporate interests. During apartheid, the family and forbearers of the indigenes we spend time with were forced off their land at the expense... Continue Reading →
Glitter, feathers and bright-coloured wigs. On a small Cape Verdean island, Tchinda helps her community prepare for Carnival. Directed by Marc Serena and Pablo García Perez de Lara, this 2016 feature length documentary is both a portrait of the eclectic Tchinda Andrade—one of the island’s first and most beloved transgender women— as well as a... Continue Reading →
The film released early in 2017, uses the Sankofa motif, to stitch a ripple in time and transports you to the 1960’s, when the movement was at its peak in post-colonial Ghana.
This special edition of SUPER 16 comes to you from the Jozi Film Festival which took place from September 21 to 24 in Johannesburg screening over 50 films from all over the world. Our fave comrade, Nkgopoleng Moloi was in attendance and decided to put together some brief notes on her impressions of the films screened at the festival.
Filmmaking is one the most efficient story-telling tools, offering a visual representation to a narrative, and it is no coincidence that British Ghanaian poet, Victoria Adukwei Bulley chose it for her poetry project, Mother Tongues. The film project is an intergenerational translation series that takes the works of african poets from English into Ga, Yoruba,... Continue Reading →