As a body of work Tash BNM is a totem of Gafacci’s dexterity as a producer and his ear for magnificent sound. However, it’s crowning glory comes from its refreshingly textured approach to a lush yet familiar sonic atmosphere. For the 17-minutes in which you engage the project, you are in a world unlike any other you have ever been in. The music is a trip that transports you to syrupy fields of radiant joy by alloying similar yet unassociated sonic elements. Whilst Gafacci makes sure to tip his hat towards the foundation of his signature Asorkpor aesthetic, he makes sure to ensure its growth by introducing this new layer into the zeitgeist, an interrogation of what low fidelity sound is.
Dr. Ọbádélé Kambon and Abibifahodie Asako ‘Afrikan Liberation Capoeira’ specialize in the re-africanization of Capoeira, a combat science that was developed in Angola but has since been divorced from this source, taking on a new and false portuguese identity. On this episode of Short Wave, we spend time with Dr. Ọbádélé Kambon, a Research Fellow... Continue Reading →
1958 is not a project I would miss if you are interested in contemporary African music. Blick Bassy presents a heavy magnifying glass that appears weightless at the first glance, however it does offer a terrific exposition of his master of music which indeed is all a backdrop for his sombering reflections on the history and condition of his home.
Daniel Anum Jasper has been making street art in Accra, Ghana since 1986. He is well known for his signature hand-painted movie posters which has become an emblem of the rapid growth of cinema culture from the late 80s to the early 2000s in major African cities like Accra, Ghana and are now relics of... Continue Reading →
As a young African woman filmmaker in the diaspora, Omolola is invested in protecting and transmitting West-African cultures and traditions through a three part film series where each project bleeds into the next as a cosmic web of storytelling. In this interview we speak to her about facing her work and the experience that come with that, especially as a young woman filmmaker operating in a western space as well as the drive to bridge the generational gap in indigenous knowledge by preserve it in film.
Martial Pa'nucci is a hip-hop artist from the Republic of Congo currently living in exile in Burkina Faso following various threats to his life as a result of his activism through music against the dictatorship in his home. Whilst in Accra for a workshop engagement, we managed to spend some time with him to learn a bit more about himself, his work and his general outlook on the lives of artists in Congo. Speaking to Martial was an education and reminder of the risks various artist across the world have to take to be expressive.
As the African contemporary sound continues to grow and change, it is also important to be reminded of the brilliance that brought us to where we are, and celebrate that excellence. Albums like History are bespoke for this purposes, filling you will the satisfaction of nostalgia yet guiding you into the future.
Tresor’s Nostalgia is definitely up there with some of the very well written and composed bodies of music reviewed on this website. The project is a testament to the diversity of the contemporary African sound as it offers an alternative joy to the pulsating and algorithmic “afrobeat” sound. Much like Pierre Kwenders, Chino Amobi and Beatenberg, Tresor via Nostalgia expands the scope of what our lives as Africans can sound like. Indeed, this is made possible by grounding the album in the music of his childhood drawing of the intrinsic rhythms and melodies that are enveloped in his memories of the past, made fresh by the voice of the present.
R2Bees pay homage to the sonic legacy that allow them to be daring enough to define their sounds, yet simultaneously lift up the new-age grooves they help shape, like on Boys’ Kasa. Despite being mildly wayward theme-wise, you still get to the soul of the Tema Boys’ sound which seems to be soulful and gritty and everything in between.